Monday
Monday's persistence across human history proves genuinely remarkable. Since the Babylonians first codified the seven-day week around 600 BCE, Monday has maintained its position with unwavering dedication. Empires rise and fall; Monday endures.
Revolutionary calendars have attempted its abolition—the French Revolutionary Calendar eliminated it entirely, as did the Soviet calendar of 1929. Both failed. Monday returned, patient as entropy, reclaiming its rightful place in the weekly cycle. Its persistence suggests something approaching immortality.
Artist
The Artist's persistence manifests differently—not through personal endurance but through the eternal life of their creations. Homer has been dead for approximately 2,800 years; his works persist. Leonardo departed five centuries ago; the Mona Lisa's smile remains.
Individual artists may struggle, starve, or surrender to Monday's particular pressures. Yet the artistic impulse itself proves unkillable. Every attempt to suppress it—book burnings, censorship, philistine budget cuts—has ultimately failed. Art, like Monday, refuses to be abolished.