Monday
Monday demonstrates remarkable adaptability across historical epochs and technological revolutions. The agricultural Monday demanded field labour; the industrial Monday required factory attendance; the digital Monday necessitates email clearance and video conference participation. Monday has seamlessly transitioned from physical toil to cognitive labour without losing any of its characteristic oppressiveness. The concept proves infinitely malleable—remote work has not eliminated Monday but merely relocated its manifestation from commuter trains to home offices. Even the four-day work week movement cannot eliminate Monday entirely; it merely concentrates Monday's essence into a different calendar position. Like water conforming to its container, Monday adapts to whatever shape modern existence assumes.
Frankenstein Monster
The Monster shows considerable narrative adaptability, having been successfully transplanted into science fiction, comedy, children's entertainment, and contemporary horror. From the tragic romantic figure of Shelley's novel to the comedic foil in 'Young Frankenstein' to the action-oriented interpretations of recent decades, the Monster proves surprisingly versatile as a cultural property. However, this adaptability remains confined to representational media. The Monster cannot adapt to eliminate his fundamental weaknesses—fire, angry mobs, the essential loneliness of his condition. His adaptations represent reinterpretations by others rather than genuine self-modification. The Monster remains, at core, the same rejected creation he was in 1818.